Saint Joshua’s, Self-(En)titled, isn’t just a mixtape—it’s a declaration. The rising star’s nine-track masterpiece offers a raw, unfiltered look at his personal journey, combining pop and R&B influences to craft a sound that’s both timeless and unmistakably modern. Seamlessly blending introspective lyricism with genre-defying production, Self-(En)titled, cements Joshua’s place as a compelling voice in contemporary music.
The project’s strength lies in its ability to balance vulnerability and confidence. “Sweet Talk,” a standout single, feels like a love letter wrapped in silky melodies, while “Nasty” dives into deeper R&B territory, serving sultry vocal runs and intricate harmonies. Meanwhile, “Blessing” radiates positivity, its gospel-inspired undertones serving as a reminder of the light at the end of life’s tunnels. Each track builds on the last, creating a cohesive narrative that keeps listeners hooked.
Saint Joshua’s collaborators elevate the mixtape to new heights. With production from industry heavyweights like Geth and Blair Mackichan, the project boasts a sonic richness that few debut mixtapes can match. The instrumentation on tracks like “Waterfalls” is lush and evocative, while “Next Flight to Paris” takes listeners on a dreamy, atmospheric ride. It’s a testament to Joshua’s vision and ability to bring out the best in his team.
Critical acclaim has followed Saint Joshua at every turn. Singles from, Self-(En)titled, have earned airplay across Radio 1, 1Xtra, and Apple Music, while his unique sound has captured the attention of tastemakers like Wonderland and Clash. With over 14.5 million streams, Joshua’s ability to connect with audiences is undeniable, and his inclusion in Complex’s “UK R&B Artists to Watch” list feels almost inevitable.
Saint Joshua is also making waves on the live circuit. From sold-out shows in London to U.S. appearances in Los Angeles, his performances are a testament to his magnetism and artistry. Whether headlining festivals like The Great Escape or preparing for upcoming European dates, Joshua continues to prove that his music is as impactful on stage as it is in headphones.
Ultimately, Self-(En)titled, is more than a mixtape—it’s a statement of intent. Saint Joshua has created a body of work that not only showcases his immense talent but also lays the foundation for a long and illustrious career. His ability to marry raw emotion with polished production makes him a standout in today’s musical landscape, and, Self-(En)titled, is the proof.